tiffanie卡森是一位教育手机网投app，导师和表演艺术手机网投app。她获得了艺术硕士，从艺术的纽约大学Tisch艺术学校的舞蹈，并完成了她在舞蹈表演艺术学士在查普曼大学。目前，卡森是舞蹈兼任助理教授 手机网投app下载的谢南多厄温室 并且是在该地区的当代和商业的舞蹈专手机网投app。她在教学技术类，以及指导高级研讨班课程的工具。卡森已经在纽约的Salvatore capezio剧院提出了在2016年和2018年纽约爵士编排舞蹈项目工程，2016年velocitydc舞蹈节在华盛顿特区，2017年第34届和2020年第37名舞美师在展示西德尼·哈曼大厅舞蹈剧场在克拉丽斯·史密斯表演艺术中心学院公园，马里兰州，在纽约的Salvatore capezio剧院2017年推动进步系列以及在凯剧院克拉丽斯2020年美国大学舞蹈协会庆典音乐会史密斯表演在大学艺术中心公园，马里兰州。
卡森还跳舞并作为助理导演 Christopher K. Morgan & Artists (CKM&A, directed by Christopher K. Morgan), resident company of 舞蹈 Place in Washington D.C., with whom she has performed at the Millennium Stage at the John F. Kennedy Center for the Performing Arts, Sidney Harman Hall, as well as The Alden 剧院 in McLean, Virigina. She has also traveled across the United States on a nine-city tour as rehearsal director and member of the creative and production team for “pōhaku“。从她的克里斯托弗·摩根的个人工作表现“出卖”，卡森已被描述为一个“非常有天赋的舞者”，由 isitmodern？ 卡梅尔的摩根 criticaldance 观察她为“绝对翻录独奏撕成碎片。”卡森的编排也从微软获取了一致好评。卡梅尔摩根，谁形容为卡森已经实现了“一个舞蹈本垒打”她的2014工作，“剥夺”。 多发性硬化症。摩根还指出 of Carson’s 2018 work, “B.U.G. [Backlight. Uplight. Glare.] is another certified hit for Carson, and it would be a smart move for companies to commission her choreography.” Carson has conducted CKM&A’s annual winter and summer intensives as well as numerous residencies at universities and colleges, with Mr. Morgan, and has traveled with the company to France to conduct an intensive at the Ècole Superieure de Danse de Cannes Rosella Hightower. This is her 9th season with the company.
“Speaking of artistic growth, not only did I get to witness Morgan’s ascendance as a choreographer, but I was able to see tiffanie卡森 bloom, too. Each female performer in “In the Cold Room,” gave an outstanding performance, but Carson, who was recently named Assistant Director of CKM&A, eclipsed all I’ve seen her do in “Selling Out,” a 2011 solo originally choreographed by Morgan for himself. It was intensely interesting to see “Selling Out,” a very personal work which has an abundance of masculine sorts of movement (flexed arm muscles, for example), performed by a woman. Carson shone as a someone conflicted about how to please others while maintaining one’s integrity. While she struggled with the selling it/selling out problem, she absolutely ripped the solo to shreds. What a joy it was to see Carson powerfully tackle this piece.” – Carmel Morgan, criticaldance.org